List of works by Jan Feddersen

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giration 4.2 (2022)
for four electric guitars, two voices and prerecorded drones

Two other Types of Infinity – for Phill
(2021)
for mixed ensemble and visuals
collective audiovisual work with Moxi Beidenegl, Robert Engelbrecht, Johann Popp (music)
and Christina Engelbrecht (video)
part of Double Infinity: A Celebration of Phill Niblock’s 88th Birthday, Experimental Intermedia, NYC

Whirligig 34 (2021)
for mixed ensemble
collective composition with Moxi Beidenegl, Robert Engelbrecht, Johann Popp

Ultimate Loop Space (2020)
concert installation for mixed ensemble, tapes, loops and videos
music: collective composition with Moxi Beidenegl, Robert Engelbrecht, Johann Popp
art work: Christina Engelbrecht

blue (trio) (2020)
e-piano, vibraphon, cello

Passage (2019-20)
audiovisual concert installation for mixed choir, large ensemble and videos in three adjacent halls
collective work with Ernst Bechert, Robert Engelbrecht (composition) and Josephin Böttger (videos)

Ujoforyt (2012/19)
for celeste

giration de l’espace (2018)
for four melodicas

giration (basse) (2017)
for five electric guitars played with e-bows

L’orgue des grillons de Vénissac (2017)
for six electric guitars played with e-bows


giration (2017)
for six electric guitars played with e-bows

Ohne titel (2016)
for five electric guitars played with e-bows

SLIDES (2015)
for three electric guitars played with e-bows

Streichquartett II (2015)

Septett (2014)
commissioned by ensemble mise-en, New York
for alto flute, bass clarinet, trombone, piano, violin, cello, double bass

triton (2013)
for three electric guitars played with e-bows, 3 tapes and 3 halls

Ujoforyt (2012)
commissioned by Ju-Ping Song, New York
toy piano

company (2011)
for two pianos

2 seconds (2011)
for 4 electric guitars played with e-bow

3 guitars (2011)
for 3 electric guitars played with e-bows and 2 pure wave oscillators

piano and e-bows (2011)
commissioned by Yannaël Quenel
piano solo, three e-bows

3 strings (für jens röhm) (2011)
bowed e-guitar, cello

trio for jens röhm (2010)
bowed e-guitar, cello, bass guitar

4 guitars (2009)
for 4 electric guitars played with e-bows and 2 pure wave oscillators

2 guitars (2009)
for 2 electric guitars played with e-bows and 2 pure wave oscillators

Sextett „Echte Fenster“ (2008)
for piano, percussion and string quartet

5 instrumente (2008)
bass clarinet, melodica, piano, violin, cello

Nonett(2007) in 5 movements
4 violins, 2 violas, 2 celli, doube bass

ohne titel (2005)
for F-Bösendorfer four hands

Duo (2005)
violin and cello

Quintet (2004)
for violin, cello, doube bass, percussion, piano

Phoenix (2004)
piano solo

Trio (2003)
violin, viola, cello

Streichquartett (2002/03)
five movements

One (2001)
sample composition from an electronically processed and filtered piano chord

Inner Time Code (2000)
electronic composition

Quartett (1998)
for soprano sax, harp, accordeon and vibraphone

for trills (1999) (book of sounds)
piano solo
commissioned by Ju-Ping Song

minimal chords (1999) (book of sounds)
piano solo

for sustained sonorities (1998) (book of sounds)
piano solo
Nicolas Flagello Award, New York

Drums ‘97 (1997/98)
for drum set-up and crotales

ChordCuts (1997)
for 4 amplified instruments (perc, elec. guit, pno, keyb) and quadrophonic feed

Cut – for Orchestra (1996/97)
2 (picc).1(eh).2(B-clar)2. – 2.2.3(bass-trb).0. – timp/perc(3) – pno – strings 10.10.8.6.4.

timpani and piano (1995/96)
1st price Sommerliche Musiktage Hitzacker 1996

Tetrachord (1995)
for solo violin with sequenzer; music for the production of the same title by DudenDance, London

The Soul of Sweet Delight (1994)
commissioned by the Royal Scottish Academy of Music and Drama, Glasgow
for baritone, string quintett, tape and 2 actresses

Aber die Aushaucher (1994)
commissioned by London Philharmonia Orchestra
for soprano and flute, clarinet/bass clarinet trupet, trombone, percussion, piano, viola, cello, double bass

Cut – for Brassquintett (1993/94)
commissioned by Scottish Chamber Orchestra
2 trumpets, horn, trombone, tuba

Silence – Space (1993)
for orchestra
commissioned by St. James Orchestra, Paisley, Scotland

Oktett (Simple isn’t…) (1993)
for piano and clarinet/b-clarinet, trombone, percussion (2 players), e-guitar, violin, cello

Destination (1993)
violin and bass clarinet/clarinet

Cut
(1993)
for percussion solo

Trio (1992)
for violin, trombone, percussion

Charms II (1992)
for baritone, 2 speakers, 2 keyboards, electric guitar, percussion